Mozart in Egypt

Ikhtitaf fi Assaraya (After the "Overture" from "Die Entführung aus dem Serail, K. 384")

Double Quatuor en fa, for Clarinet, Violin, Viola, Cello, Arghul, Rababa, Kawala, Tabla, Doff and Sagat (After Mozart's "Piano Trio No. 2 in G Major, K. 496")

Lamma Bada Yatathanna, for Voices and Traditional Ensemble (After the First Movement from Mozart's "Symphony No. 40 in G Minor, K. 550")

Mahdiyat (After Bernhard Flies's "Wiegenlied", attributed to Mozart as "K. 350")

No. 23, Concerto for Oud and Piano (After the "Adagio" from Mozart's "Piano Concerto No. 23 in A Major, K. 488")

Hamilu Lhawa Tahibou (after Papageno's Aria, No. 20, from Mozart's "Magic Flute, K. 620")

Yaman Hawa (After the "Overture" from "Thamos, König in Aegypten, K. 345")

Mawwall

Double Quatuor en mi bémol, for Clarinet, Violin, Viola, Cello, Arghul, Rababa, Kawala, Tabla, Doff and Sagat (After Mozart's "6 Variations, K. 360/374b")

Ouazat Al Kahira (After Auretta's Aria, No. 2, from Mozart's "L'oca del Cairo, K. 422")

Symphonie Egyptienne, for Traditional Ensemble (After the First Movement from Mozart's "Symphony No. 25 in G Minor, K. 183/173dB")

Dhikr - Requiem - Golgotha, for Voices, Children's Chorus and Orchestra (After the "Introitus" from Mozart's "Requiem in D Minor, K. 626")